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Round Popularity At the price of surprise White Marble Handmade Coaster Lapis Stone Mop Inla Plate

Round White Marble Handmade Coaster Plate Lapis Mop Stone Inla

$364

Round White Marble Handmade Coaster Plate Lapis Mop Stone Inla

Used Material: Marble Multi Semi Precious Gemstones Inlaid
Coaster Size: 4quot;x4quot; Inch
Color: White
Shape: Round
Pattern: Handmade
Room: Bedroom, Dining Room, Hallway, Home Office/Study, Kid’s Bedroom, Kitchen, Laundry/Utility Room, Living Room, Patio, Playroom
Packaging: Wood Foam Export Packing
Shipping: Air

Process of Making Marble Inlay
1. We are inlaying semiprecious stones in three different colors of marble White Marble,Black Marble green marble.
2. The Marble used to inlay the semiprecious stone comes from city of Makrana, Rajasthan India.
3. First we cut the marble in different shape example Round,Octagonal,rectangle,oval square shape.
4. After cutting the marble we paint the surface of marble with Hina(red Color) so we can sketch the geometry on the surface of Marble.
5. With the Help Of emery wheel we cut,polish shape the semiprecious in different forms of flowers,buds,leafs stems all the cutting of the semiprecious stones are manually cut by the artisans.
6. After cutting the semiprecious stones we assemble them to complete the motif then the semiprecious stones are placed on the surface of marble so we can trace them on the surface of marble to make the exact size of the cavities once the stones are traced we remove the stones from the surface of marble then manually we chisels the marble with the diamond chisels tungsten carbide chisels once the cavities are completed we place the semiprecious stone in the cavities to check the depth of the stones.
7. When we are fully sure that the stone fits well in the cavities we use special kind glue to fix the semiprecious stones into the marble.
8. After completing the inlays into the marble we first rub the surface of marble with sandstone then we polish the surface of marble with sandpaper which brings the natural shine on the surface of marble to the semiprecious stone we use wax polish to make the surface shiny.
9. Most interesting expect of this pietre dure( marble inlay with hard stone) all the designs are made by the artisans are purely an imagination of artist once made they cannot make another one exactly the same it will look similar but will not be the same.
10. This beautiful art is a dying art of Agra,India the artisans those make this beautiful art are the descendants of those families who built the Tajmahal in 17 century Tajmahal is a monument of love you can easily see the artwork done with the same technique on the walls of the Tajmahal.
11. I Invite you to come to Agra,India visit the beautiful Tajmahal you will surely be impressed we request you give us a chance to show you the true handmade art of Agra by our artisans.
12. When you are purchasing this beautiful handmade Marble inlay art you will always be happy because all the pcs made by our artisans with love,hope happiness.
13. You will always be enjoying the beautiful handmade marble inlay artwork secondly you will be supporting the local artisans of Agra,India to keep this beautiful dying art Alive.
14. All the purchase benefits the artisans the buyer as there is no middle men in selling buying.

Inspiration/Story Behind This Product
1. This beautiful inlay art is a dying art of Agra,India the artisans those make this beautiful art are the descendants of those families who built the Tajmahal in 17 century Tajmahal is a monument of love and one of the seven wonders in the world you can easily see the artwork done with the same technique on the walls of the Tajmahal.

Note
1. We welcome your personalization request (custom request) as per your size, shape and design but you have to pay spare money.
2. Buyers are responsible for any customs and import taxes that may apply. I#39;m not responsible for delays due to customs.
3. Marble inlay handicrafts other natural marble products are handmade products, colors of semiprecious stones marble used may slightly vary from the image shown.
4. Equipment accessories are used only for photography purpose which do not ship with the product.
5. We are unable to ship to a PO Box address for Russia, Brazil country we need firm entity name or business name parcel will not go to individuals name. If you have any query please feel free to contact us.

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Round White Marble Handmade Coaster Plate Lapis Mop Stone Inla

Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.

We are now closed for Christmas and the New Year. We re-open to the public on Tuesday 18th January 2022. The shipping of online orders and our click and collect service resumes from Tuesday 4th January.

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Meet Our Makers

All of our makers are members of the Craft Potters Association and each of them have a story to tell.

Sandy Brown

Sandy Brown has been making ceramics now for over 50 years and is internationally known. After being introduced to ceramics in Japan, Sandy learned there that pots can be dynamic, exciting, free, and irregular. Moreover, they can be loved and used for those qualities.

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Ostinelli and Priest

Gaynor Ostinelli and Paul Priest, or Ostinelli & Priest, are well known for their animal sculptures which draw on both domestic and wildlife. Exhibited around the world, their work is represented in numerous galleries, public and private collections in the UK and overseas. The animals they sculpt varies as their subjects, and the demand for the work, expands.

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Adela Powell

Adela studied the natural sciences and her work reflects a depth of observation of the natural world. Universal patterns, textures, and forms in nature, where science and art are inseparable, are Adela’s constant source of inspiration. She is particularly drawn to fragmentation and erosion, which she attempts to incorporate in her work, allowing fortuitous accidents and influences from the subconscious to enrich the process.

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Jonathan Chiswell-Jones

Jonathan graduated from Farnham Art School in 1974 and worked for Joe Finch at Appin Pottery in Scotland. He began making once fired domestic ware in a pale stoneware body, guided and inspired by Bernard Leach’s ‘A Potters Book’. He went on to work in porcelain and to decorate with a brush.

In 1999, Jonathan moved to East Sussex where he built a smaller kiln in a more spacious workshop. He began to experiment seriously with reduction fired lustre which had fascinated him ever since he attended a course given by the late Marjorie Clinton two years previously.

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Tina Vlassopulos

As a rebellious schoolgirl, Tina always knew that she would go to art college as she absented herself from her maths lessons to go to exhibitions. In 1974, she commenced her BA in Ceramics at Bristol Polytechnic with a strong 2D portfolio but hardly any experience of working with clay and she found it challenging. Nevertheless, she was drawn to it because it was the only material which was so malleable, human, primal, intimate, flexible, fundamental, and could be adapted to suit all personalities.

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Jennifer Hall

Jennifer graduated from Cardiff Institute of Higher Education back in 1994, followed by work as a thrower and decorator for Gwili Pottery, Carmarthen. Jennifer set up her first pottery in 1997 in Buckinghamshire, later in 2001 she moved to Llanwrthwl, Powys to establish her successful studio. 

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